Barbara Williams Ellertson's picture

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Board member
November, 2020

Biography: 

After a career in academic publishing and small business administration, I became an independent scholar and launched the BASIRA Project in August 2013. This database project operates at the boundary of book history and art history; we hope to track and explore the ways that art (primarily painting and sculpture) in western Europe explicates the changing roles of the book across the centuries--before and during the Renaissance. Our initial paper, "The Painted Page," was published in The Independent Scholar in December 2015; we were deeply honored when it was awarded the Eisenstein Prize in 2016.
Eventually, we hope to be able to make the database open and available to any interested researchers.
My formal academic work was in history and religion at Duke University, although only at the undergraduate level. As an outgrowth of BASIRA, I’ve developed and taught a course in European book culture for the continuing education program (OLLI) at Duke for two years. And I’ve audited graduate courses in art history technology, also at Duke. The National Coalition of Independent Scholars has opened doors that would otherwise be inaccessible to someone like myself with limited credentials.
A note about my name: Barbara Williams was my working name. In retirement, I now use the last name Ellertson, one shared with my spouse, who is as passionate about typography as I remain about books.
Our BASIRA website is located at https://basiraproject.wordpress.com

Current research areas: 

History of the book; European art history during the Renaissance; history of Western printing; history of reading.
Database of tagged images of European Renaissance art. Digital art history.

Recent scholarly activity: 

Developed and taught a course in European book culture & the changing forms of the book in the OLLI program (continuing education) at Duke University.
Poster presentation at the 2017 Digital Initiatives Symposium at the University of San Diego.
Made a poster presentation, titled "Illuminating Manuscript Culture" at the November 2015 conference of the South Atlantic Modern Language Association in Durham, NC.
"Basira Project" : Books as Symbols in Renaissance Art. We are constructing a database of Renaissance images which include books. Even though books are featured prominently in a large percentage of European paintings and sculptures of the period, their presence has been largely overlooked by both cultural and art historians. 
We have designed the Basira database to foster analysis of trends in artists’ portrayals of books: ways that books were held, displayed, and read. We'll be examining such variables as region, patrons, faith communities, aesthetic traditions, and/or access to technology. 
In examining and analyzing artists’ portrayal of books across time, we may discern patterns not yet explored. After the spread of printing technology, as literacy increased and books became more widely available, how did artists’ artists’ changing portrayals of books reflect the changing cultural norms and expectations about power, literacy, class? And how did trends in the visual arts of the time echo our 21st century experiences with rapid change in reading technology.
Our "crowd-sourcing" space is a Pinterest board named "Books'n Art" where we invite public submissions.

Recent publications: 

"The Painted Page: Books as Symbols in Renaissance Art" published in The Independent Scholar, December 2015. Co-authored with Janet K. Seiz. Awarded the 2016 Elizabeth Eisenstein Essay Prize for best article or book chapter published by a member of NCIS.

Other activities: 

Renaissance Society of America
Society for the History of Authorship, Publishing, and Reading (SHARP)
Liturgical art
Local history

Candidate Bio: 

After a career in academic publishing and small business administration, I became an independent scholar and in 2013 launched the BASIRA Database Project, which operates at the boundary of book history and art history; we hope to track and explore the ways that art (primarily painting and sculpture) in western Europe explicates the changing roles of the book across the centuries--before and during the Renaissance. Our initial paper, "The Painted Page," was published in The Independent Scholar in December 2015; we were deeply honored when it was awarded the Eisenstein Prize in 2016. My formal academic work was in history and religion at Duke University, although only at the undergraduate level. As an outgrowth of BASIRA, I’ve developed and taught a course in European book culture for the continuing education program (OLLI) at Duke for two years. And I’ve audited graduate courses in art history technology, also at Duke. The National Coalition of Independent Scholars has opened doors that would otherwise be inaccessible to someone like myself with limited credentials.

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National Coalition of Independent Scholars